In their third full-length album in seven years, Gregor Samsa takes a new approach to composition, both in process and instrumentation. The result is Rest ; nine pieces composed over e-mail during the course of nine months by key members in New York, Chicago, Boston, DC and Richmond, VA.
In Rest, Gregor Samsa expand on their affinity for minimal, classical instrumentation mixed with mangled and manipulated sound through integration of new instruments such as the celesta, clarinet, classical voice and vibraphone. Along with these new sounds, guitar has been almost entirely replaced by piano, whose parts were recorded on a rare Bösendorfer once owned by Philip Glass.MySpace: Gregor Samsa
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